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Saturday, September 30, 2017

Black Ghost Audio

image courtesy of black ghost audio - www.blackghostaudio.com

My Friend Charles over at Black Ghost Audio has created a nice list of places to go for production advice, as well as a list of recommended software. He's also got tons of tutorials of his own including a free mixing tutorial.

Check it out!

https://www.blackghostaudio.com/articles/the-ultimate-music-production-database



Wednesday, June 21, 2017

Speaker and Room Calibration


I recently discovered speaker calibration. I thought I was doing everything right by putting broad band sound absorption on my walls etc, but my mixes (and then later my masters) were still pretty messed up. Specifically despite nearly a year of work, they still ended up sounding cheap. I couldn't figure it out.

Sunday, June 4, 2017

Mastering is HARD!


Before I get into this, I'll front load the conclusion: In all the talk about mastering, if your monitoring isn't flat, even the best ears won't do any good. Of course, the compromise is to intimately know what your gear sounds like ... but I think that takes thousands of hours of critical listening and an extensive knowledge of acoustics.

I self-mastered my last album (The End of Silence). I was very excited about it. I had resolved to remove myself from my music in order to master it. I couldn't afford an ME at the time, but I badly wanted to release my album.
 
I believe I got 70% of the way there with the help of the free videos and articles at productionadvice.co.uk, as well as the information available at http://www.masteringtuition.com/

I think I managed to successfully divorce myself from my music so that I could look at it as objectively as possible. I analyzed it intently for problems without thinking about the mix and the compromises that led to things sounding the way they did.  I carefully selected and manipulated various plugins to (as transparently as possible) make my music loud as well as dynamic as well as punchy as well as clear as well as crisp. I compared it  on various playback systems. I also compared it to Auto mastering (mastering box, AAMS, e-mastered, LANDR), other pro masters, and the final mixes - and I level matched them all so that I could be as accurate as possible!

It was extremely painstaking, aggravating, frustrating, rewarding, happy , sad ... it was every emotion I can think of wrapped into one giant hairball. 

But I have now realized my monitoring situation was utterly inadequate for mastering. 

............... :(

After listening to one track (Swallowed) and then every other track on a system tuned to be (what I believe is) flat (using Sonarworks reference 3), I can hear a terribly pronounced bump in the upper mid range which is making everything sound cheap. I re-checked on my car, and listened again on everything I have.  Now in every case, I hear that cheap sounding boost in the 4-6k region. The sadness of this realization is nearly overwhelming.

So the long and short is that after listening on the tuned system, I decided to make two changes - a wide 3db cut at 4.1kz and a narrow 1 db boost at 10khz ... the result in the song :swallowed' is that it's become the song I was envisioning in my head all along, and it sounds pretty well the same on everything I play it through.

Now my hope is that there isn't some other etherial thing I'm missing ....

Sheesh mastering is HARD! 

Saturday, May 6, 2017

Improve or Die


If you've been playing guitar for more than 5 years you still only know one strumming pattern, do yourself a favour and either don't play live or resolve to get better and start taking lessons (or try justinguitar.com).



Are you improving at your musical craft?

If you play an instrument, do you practise? If so, do you practise at least weekly (if not daily)?

If you are a sound engineer (or a hobbyist home studio enthusiast), do you hoan your skills regularly by working on new material?

If your answers to any of those questions is "no", you are in danger of putting a hard limit on how far you will be able to take your skills. You might also be giving yourself a one-way ticket to irrelevancy if your skill as a musician is directly linked with some sort of live performing arts.

What are all of those?? If you don't know, maybe it's time to learn!

My problem has always been that I'm interested in way too many things. I enjoy writing, recording, mixing, mastering, live mixing, and I dabble in graphic design, plus I'm a teacher by trade so I have a full time day job.

I also play guitar. I sing. I play bass. I kind of play piano and kind of play drums. I lead a worship band, I write music. And I love it!

But what started to happen in the middle of doing all that stuff I love doing is I began to 'kind of' just do everything. I wasn't becoming highly skilled in any one thing. So, recently I decided to let some of my skills coast and really focus in on singing and playing electric guitar. Luckily, the guitar playing has a side benefit of searching for tone ... which lets me keep my chops up a bit in mixing. Plus, I still lead the sound team at Church so I get to sit back every so often and manage the big picture of mixing the band, which I do enjoy quite a lot.

There's something special about the feeling of taking the band from sounding out of focus and off-balance to sounding tight, focused, deep, clear and .... full. There's a lot of adjusting which goes into making a band's sound jive. Often I'll go up and fiddle with the settings on one of the guitarist's amps until it sounds right rather than fiddle with the limited EQ knobs on the sound board. "get it right at the source" is my motto.

Anyway that was a bunny trail.

You need to practise, or you won't get better. It's that simple.

And if you want to get a LOT better, on top of practising you really need to learn (and then practise) new things. For example, if you play guitar, learn some new licks or chords, or new songs, or learn some new scales and challenge yourself to integrate them immediately into your repertoire. Learn a new strumming pattern, or learn to play in different time signatures like 6/8 and 3/4 (that one is super important if you want to play with a band).

If you sing, and especially if you lead at church or in a band, learn how to pick, play and/or write songs in keys that work with your voice. Another good skill to learn is how to transpose music so that it works for you. Too many worship leaders pick songs in a key they think will work best for the congregation. That's noble and all, but the truth is it doesn't really matter what works for the congregation because if it doesn't work for you, it's not going to connect with anyone else either.

If you're still skeptical, hear me out.

Go to a big arena concert and listen to the crowd belting out their favourite songs in unison. Nine times out of ten, those songs are way too high for people to sing on their own. It would likely sound bad if they tried. But in a large crowd, it doesn't matter. You just sing it together. And it sounds AWESOME! You strain your voice along with everyone else and it creates something epic!

You know what doesn't sound awesome? A singer who chooses keys for songs that are too high for them personally, so they have to yell or screech into the microphone to get the notes out. That usually sounds terrible, unless it's an effect you are going for and can actually pull off (not many people can!).

Think about it.

Wednesday, April 12, 2017

Choosing an Electric Guitar Amp


This is what playing guitar feels like these days. The variety is absolutely insane, and the opinions on the variety can be equally insane.

Sunday, February 12, 2017

Small Church Big Sound



One of the things that I do when assessing a Church sound system is to ask the question: is what we've got working for or against us?

In the case the church I work at, when I got there we had a small sound system that really was not working for us.

Friday, January 6, 2017

Church Sound 2: Guitars



In my 20 years of experience as a musician, I've found that you don't have to break the bank in order to get great guitar tones.

Church sound

Photo via Wiki commons

One of my biggest pet peeves is bad sound at church worship services. I've been in big churches, small churches and just about everything in between. Nothing hurts my ears more than hearing a band which has been poorly mixed, weather it's a rock band, a pop music group or a worship band.
And by far the consistently worst sound that I experience is in church worship services. I think it's because the people behind the mixing boards at the vast majority of churches are not properly trained. It seems that anyone with even a slight interest in sound can work the sound board at church without having to go through much, if any training. It's an unfortunate reality, but I think it's overcomable.